In this episode, Meghan Murphy speaks with Andrea Heinz and Kathy King, authors of, “When Men Buy Sex: Who Really Pays?”
In this episode, Meghan Murphy speaks with Holly Lawford-Smith about social media censorship and her new book, “Gender-Critical Feminism.”
Attempting to keep girls from reading Nadia Murad and Marie Henein’s books sends the wrong message, actually.
One of the most common questions I receive from women is, “How can I take action?” So many women are concerned about the legislation and ideology being embraced by politicians, the media,…
Genevieve Gluck speaks with Kathleen Stock about her new book, “Material Girls: Why Reality Matters for Feminism”
When The God Delusion was published in 2006, it was a deeply controversial bestseller. Though Dawkins’ book was applauded by many, it also prompted several book-length rebuttals and a lawsuit in Turkey…
Meghan Murphy speaks with Phyllis Chesler about her new book, Requiem for a Female Serial Killer.
A militant trans activism positively requires “trans children” to exist as natural figures in order to fabricate the illusion that transgender identity is apolitical.
Meghan Murphy speaks with Janice Raymond about her seminal book, The Transsexual Empire, which remains ever-relevant, 40 years later.
Breanne Fahs and Phyllis Chesler, in conversation about women, pushed to the brink, who choose violence as an expression of rage.
Debra Soh’s new book should perhaps have been named, The End of Gender Identity, as this is what it actually argues for, rather than “the end of gender.”
The media has almost wholly ignored Abigail Shrier’s book. In doing so, they ensure it will not exist for potential readers, depriving the public sphere of the research and arguments Shrier presents.
Caroline Norma reviews the bestselling “Kim Jiyoung, Born 1982,” a radical gift to #MeToo activists in the West, who are likely unfamiliar with the foundational Korean women’s liberation movement.
Amanda Jette Knox, a well-known Canadian “mommy blogger” turned trans activist, with both a transgender-identified child and spouse, wrote about how her family and marriage survived two “male to female” gender transitions.
“Last Days at Hot Slit” provides a comprehensive view of some of Andrea Dworkin’s most powerful works, imagining a truly radical feminist vision of a world without dominance and subordination.